Wednesday, 16 April 2014

Cyril Smith: Our Part in His Downfall!

As today Simon Danczuk launches his book at Danczuk's Deli
on the Walk in Rochdale, John Walker, the former editor
of the Rochdale Alternative Paper (RAP), below
accesses how in November 2012, Northern Voices finally helped
to bring the Cyril Smith story out into the public domain:
 
NOW revelations about the Cyril Smith child sex-abuse case have emerged on almost a daily basis from when the issue was re-aired in November last year (2012).  So much so, that many people may now be switching off, feeling that they have heard enough, and that they've already concluded that he was a no good fat old paedo – end of story. 

For me, however, there are two key long term lessons to be leard, and Northern Voices and its principles are central to both of them.  Firstly, there is the constant need to be vigilant about the abuses of power, and the need for them to be exposed; and secondly the immense importance of the the continued existence of a genuinely free, independent, and fearless local and radical press.

I won't rehearch the many Smith related tales to have emerged recently; but most of them concern the abuse of power and bullying by those in authority of vulnerable people.  As I have argued before in Northern Voices, the most despicable thing about Smith's treatment of his victims was not so much that he molested young boys, but the way he chose his victims, and the abuse of authority he exercised in his self-gratification.

So, Smith paraded himself as a man of the people and defender of the downtrodden.  But it was the very downtrodden that he chose to abuse; boys who were vulnerable because of their status, as residents of children's homes.  He compounded that disadvantage by his sexual molestation of them and added insult to injury by threatening them, if they revealed what he'd been up to.  With the taunt that nobody would believe their word against that of an important person like him.

Rather than defend the disadvantaged, he increased their problems and reduced their self esteem by his actions towards them.  He used his power and authoryty to bully others into preventing enquires into his behaviour, and so escaped, time and again, to continue to perpetrate his abuse.  It was cant hypocrisy at its worst....
 
This bullying included the use of court injunctions, threats of libel action, arm twisting of law officers, leaning on MPs, public officials and other politically influential people, locally and nationally etc. to give him cover....  Thus, one of the many perversions to emerge from the murky Smith case, is that the paid upholders of civil society, themselves, became accessories to his abuse and continued disgraceful and criminal behaviour. 

How many victims would have been spared if initial enquires into Smith's activities had not been covered up by others in authority, who abetted Smith for their own suspect motives.  

Continued vigilance of the actions of the powerful is an important guarantor of long-term freedom; and Northern Voices' exercises this on a regular basis, much to the changrin of many of those subsequently exposed by its efforts. 
 
Which brings me to my second point.  The role of Northern Voices, as part of that long tradition of a radical press, that has never been afraid to call into question abuses of the powerful.   

I write as one of the editors of RAP (Rochdale's Alternative Paper), which first published the allegations about Smith's sexual abuse of the residents of Cambridge House hostel, in 1979.  We published well researched and impeccably sourced details of Smith's sexual abuse, cleared, word by word, by three different sets of lawers.  We were very aware of the legal and financial consequences of getting anything wrong, publishing as we did five days before Smith stood as the local candidate in the general election of that year.   

Smith moved into bullying mode and slapped a poorly worded injunction on us.  We were inundated with requests for copies of the paper from the national press.  There was not a serious national news outlet that didn't have a copy, and knew that we had compelling,legally cleared, material to back our claims.  Smith bullied them into inaction.  

All bar one [failed to follow up the story].  Private Eye alone, repeated the story in 1979.  And like Rap, invited Smith to sue.  He was silent on the matter, and ended up paying RAP's legal costs to get the injunction struck off, and dropped to matter, a couple of years later.

I would arue that there is not a serious national political journalist in Britain over the age of 50 who has not been aware of the Smith story for thirty years.  Yet none of them has ever taken the case up leaving it to RAP, Private Eye.. [and] Northern Voices... 

The recent re-emergence of the 1979 RAP story owes its appearance to Northern Voices.  This magazine kept the Smith story running and led to Westminster political blogger, and former Rochdale lad, Paul Waugh picking it up,last November.  Working with the ex-RAP editors Northern Voices was able to track down two of the 1960s Cambridge House victims, today, and introduce them to Paul, who ran the story on his national blog.  This provided grist for Simon Danczuk's mill, who revitalised the story by 'outing' Smith's antics in Parliament in November (2012).  
Excerpts from John Walker's lead story in
Northern Voices No.14 published in June 2013.

Saturday, 12 April 2014

Rochdale 'Institutionally Blind' to Sex Crimes?

asks Simon Danczuk M.P. 

'I began to wonder,' writes Rochdale MP Simon Danczuk in today's Daily Mail, 'if years of child abuse being covered up in Rochdale had normalised this crime,' and he asks:  'Had the constituency become institututionally blind?'

In an exclusive serialising of the forthcoming book 'Smile For The Camera' by Simon Danczuk and Matthew Baker, to be published by Biteback on April 15th, £16.99, the Daily Mail today has devoted a leading article, five pages inside, and an editorial.  The Mail story reports:  'For four decades, the depraved 29st politician (Cyril Smith) was free to prey on vulnerable children as young as eight.' 
 
In an editorial entitled 'A moral scandal that shames liberal elite', the Daily Mail comments:  'TODAY the Mail begins serialising a profoundly disturbing book that should shake the conscience of Britain's liberal elite, while raising questions of huge topical relevance about moral corruption at the heart of politics and the State.'
 
This is of ongoing important today, because as Mr. Danczuk writes in his book:
'In May 2012, nine men were jailed for horrific abuse committed against teenage girls in the town (of Rochdale).'
 
We must wait to see what new comes out of the revelations in the book, but at present Mr. Danczuk and the Daily Mail are putting more flesh on the bone.  Most important will be how the cover-up of Smith's crimes was manipulated for so long, and why he was so successfully.  What part did MI5 play in hiding the evidence, and did Jack McCann, the Rochdale Labour MP in the 1960s, and friend of Cyril Smith, help him deal with the police and the Director of Public Prosecutions (DPP)?  Was the Home Secretary contacted by Jack McCann?
 
These are all questions that are of interest to Northern Voices, which was in the forefront of putting this story into the public domain in the Autumn of 2012.


Friday, 11 April 2014

Britannia Waves the Rules


ROYAL EXCHANGE STAGES WORLD PREMIERE OF GARETH FARR’S BRUNTWOOD PRIZE WINNING PLAY 

BRITANNIA WAVES

THE RULES

By Gareth Farr

Designed by Ashley Martin-Davis

 

The Royal Exchange Theatre

St Ann’s Square, Manchester

Tuesday 27 May – Saturday 7 June

Press Night: Wednesday 28 May at 7.30pm


* BRITANNIA WAVES THE RULES plays in repertoire with the world premiere of THE LAST DAYS OF TROY by Simon Armitage

Bruntwood Prize winning play BRITANNIA WAVES THE RULES by Gareth Farr receives its world premiere at Manchester’s Royal Exchange Theatre from Tuesday 27 May to Saturday 7 June.

A scream of protest at the state of the world, BRITANNIA WAVES THE RULES is fast, furious and filled with rage.

It tells the story of Carl. He doesn’t fit in at home. He doesn’t fit in anywhere. He signs up for the army, seeing a chance to escape the grim reality of life in his hometown Blackpool. But it doesn’t matter where he runs to, or how hard or how fast, there are just too may battles for him to win them all. He comes home, not as a war hero, but as a changed man.

The play picked up a Judges Award in the 2011 Bruntwood Prize for Playwriting. Writer Gareth Farr said: “I want to grab the audience by the scruff of the neck, drag them through the journey and have them leave feeling something strong about the world they’ve just witnessed.”

The central role of Carl is played by talented young actor Dan Parr. His previous theatre credits include PAGES FROM MY SONGBOOK (The Alligator Club at The Studio, Royal Exchange), WANTED! ROBIN HOOD (Manchester Library Theatre Company), and DNA (The Lowry Theatre). Television credits include CASUALTY (BBC), THE CRIMSON FIELD (BBC), and THE VILLAGE (BBC). Film credits include: Halcyon Heights (Plug it In Productions).

Other parts are played by cast members from THE LAST DAYS OF TROY (which plays in repertoire with BRITANNIA WAVES THE RULES). They include Clare Calbraith, Simon Harrison, Colin Tierney and Francesca Zoutewelle.

The production is directed by guest director Nick Bagnall – who is also directing THE LAST DAYS OF TROY. His previous credits include directing three HENRY VI plays at venues across the UK, including four open-air battlefield performances. Other work includes BETRAYAL (Crucible Theatre, Sheffield) and ENTERTAINING MR SLOANE (Trafalgar Studios).

The production is designed by Ashley Martin-Davis and the creative team is completed by Chris Davey (lighting), Peter Rice (sound), Alex Baranowski (composer) and Kevin McCurdy (movement and fights).

BRITANNIA WAVES THE RULES will play in repertoire with the world premiere of THE LAST DAYS OF TROY by acclaimed poet and novelist Simon Armitage which runs from Thursday 8 May to Saturday 7 June.

In this fusion of Homer’s ILIAD and Virgil’s AENEID, the Greeks are laying siege to the ancient city of Troy to try and win back their abducted queen Helen, reputedly the most beautiful woman in the world.

The cast includes Lily Cole, as Helen of Troy, in this visceral and heartfelt re-telling of the story of the Trojan War.

* A specially commissioned visual art installation – SLAUGHTERHOUSE FIVE, by Manchester artist Thomas O’Grady – will run in The Great Hall alongside BRITANNIA WAVES THE RULES. Originally created for the Ostrale festival in Dresden last year, the piece is based the iconic Kurt Vonnegut novel. The installation is kindly sponsored by Blitz Communications.

 
PRESS NIGHT for BRITANNIA WAVES THE RULES is on Wednesday 28 May at 7.30pm. For further information, images, or for interview / press review ticket requests, please contact JOHN GOODFELLOW (Press & Communications Manager) on 0161 615 6783 / john.goodfellow@royalexchange.co.uk.


 
BRITANNIA WAVES THE RULES - Listings Information

 The Royal Exchange Theatre presents

BRITANNIA WAVES THE RULES

By Gareth Farr

Directed by Nick Bagnall

Designed by Ashley Martin-Davis

The Royal Exchange Theatre, Manchester

Tuesday 27 May – Saturday 7 June, 2014

Evening Performance Times:

Tuesday 27 and Wednesday 28 May, 7.30pm

Monday 2 and Wednesday 4 June, 7.30pm

Saturday 7 June, 5.45pm

Matinee Performance Times: Tuesday 27 May, 2.30pm

Press Night: Wednesday 28 May, 7.30pm

Ticket Prices: £12 (Concessions Available)

Audio-described Performance: Saturday 7 June, 5.45pm

Captioned Performance: Saturday 7 June, 5.45pm

After-show Discussion Wednesday 4 June after 7.30pm performance

Box Office: 0161 833 9833.

Wednesday, 9 April 2014

Exaro Report, & the Simon Danzcuk Book on Cyril Smith

Expect major new revelations about child sex abuse in Rochdale around the late paedophile MP Sir Cyril Smith as the police examine 33 boxes of new evidence uncovered from Knowl View Special school.

A report in Exaro News by my colleague Nick Fielding warns that the files now being examined by the police could provide further horrendous disclosures surrounding child sexual abuse in the town. Although the police abandoned an investigation in Cyril Smith they are now investigating complaints of child sexual abuse involving the school committed by other people at the time.

The investigation comes as a new book by Labour MP Simon Danzcuk, the MP for Rochdale will be published this month which will look at Cyril Smith’s career and connections.

Far from going away it looks like that further revelations will show just like the Jimmy Savile affair, Cyril Smith was able to get away with his appalling predatory career without any hindrance or intervention from people who should have known better.

This morning Northern Voices spoke to a spokesperson at the Rochdale Council about the report above from Exaro News, and they said that this was 'a strange story';  adding that if Simon Danzcuk or anyone else had any new information which would impact on the police investigations they ought to inform the police or the Rochdale council.  It is not known if any of the above have been in touch with the police, but it seems that Mr Danzcuk has not yet contacted the council about any new revelations he has on this matter.  We hope however, that Mr. Danzcuk's forthcoming book will provide a breakthrough and new details which will lead to a better understanding of how Cyril Smith's career and his networking of connections, developed in tandem with his other darker passions.

Tuesday, 8 April 2014

Action against workfare - More pull out!

We are publishing below the latest briefing from 'Boycott Workfare'.

"The week of action vs. workfare has already had a big impact. With just weeks to go until Osborne's punitive new six month scheme is due to launch, your pressure has forced major workfare users Salvation Army and TCV to say they will have no part in this scheme. 

But they're still propping up other workfare schemes and forcing people into destitution through sanctions, so keep up the pressure with the online actions below.

We've had surprisingly supportive coverage in the Evening Standard, and civilsociety (charities trade press) has done a great write up too!

Take online action now:

Rank & File Message to Agency Workers

 ON the 19th March the Chancellor announced, as part of the 2014 budget, that the Self Employed status was to be tweaked so that only the genuinely Self Employed can be Self Employed.  If you can answer YES to ALL of the statements below then you are Self Employed:
 Having been provided with site instruc-tions you provide your services without the need for a high level of supervision
 You do not have to accept work offered to you, and can reject offers of work with-out compromising any future work
 You may send a substitute worker to site to do work in your place
 You provide your own tools, plant and equipment as required
 You decide your own hours of work, in-
cluding whether to start early or finish late in accordance with site opening times and operational requirements
 If a job is not done to a satisfactory stan-dard you will correct any defects without additional pay
 The work you undertake is normally of a temporary nature that can be terminated or cancelled without notice.
 You regularly work for different clients.

The Construction Industry Scheme was brought in for the GENUINELY Self Employed workers in the Construction Industry. The CIS is still here, it hasn't gone away, its for the people who can answer YES to all of the above.

If you gain work through an Intermediately (posh word for agency) then you are an employee and are covered by the Agency Workers Regulations 2010.

As an agency worker you are entitled to a whole host of rights that you were being robbed of before under the CIS.

Tribune in 1945 vs Freedom in 2014!

Writing Reviews & Obituaries  
SOMEONE told me recently that there are no rules for writing reviews or obituaries, but Alex Dennis, the sociologist, squirmed when I told him some years ago that the anarchist intellectual, Nicolas Walter, had placed a number of obituaries of political individuals on the spike before he died; in readiness for publication when it became their turn to go.  Once Vernon Richards, a Freedom editor, took hold of Albert Meltzer by his lapels at a London Anarchist Book Fair, and told him that he was going to outlive him, promising him that he was writing Albert's obituary and that it was going to be a good one:  this obituary was ultimately to appear in Freedom and proved very contentious. 

Since I wrote the Bob Miller obituary in Northern Voices 13, in April 2012, I have come to feel a bit sorry for Bob whose nearest and dearest have describe as 'grumpy'; I didn't find him grumpy in the least, indeed he was a bit of a softy who was often bullied by being at the mercy of the people around him, and was ultimately a victim of his choice of career and circumstances – yet I still remain confident that the facts in the original obituary are basically correct and nothing has been put forward to contradict anything in the substance of the text.  Poor Bob, when I interviewed him over the police investigation into the Brimar case he tried to say that he had little to tell them, but just as he uttered this he was subjected to a bout of hectoring abuse from a third party who was trying to stop him speaking to me, and above the din he struggled to say that he only knew one woman involved  – a well known and respected activist in the Manchester area, but he didn't say if he gave her name to the police and I didn't ask him.  I don't know if anyone else in his own political organisation debriefed him over his experience with the police.  The only specific rational complaint about a detail of the obituary came in a long friendly telephone conversation I had from Tom, Bob's son, at the end of November 2012, when he claimed that unlike Mike Ballard, he had actually said Bob was an 'anarchist' in his eulogy at his father's funeral; at my invite he agreed to write a 400-word letter explaining this for publication in the Voices, but the next day Barry Woodling was excluded from the Manchester Anarchist Book Fair, accused of 'anti-Semitism' despite the fact that his ancestors died in the gas chambers, and perhaps as a result of this Tom never sent us his letter correcting our account.  
 
The policy of the printed publication of Northern Voices was established in 2003, and was to be based on the editorial panel which would supply support, but that the detailed editorship would rest with a single individual rather than a committee.  From the first issue the 48-page journal was divided into two with news and politics at the front, and with the back half devoted to northern arts, literature, food and drink, and even something on northern gardens and films.  Initially, in the first few issues we published some historical academic stuff on Peterloo, and some imaginative short stories by a talented writer called Mike Fielding.  Chris Draper, who has written illuminating essays in every issue of Northern Voices since it began, used to complain passionately about the strict apartheid between politics and the arts with a bias to the former.  Mr. Draper has occasionally accused us of being too 'workerist' or 'municipal' or in the case of Mike Fielding's imaginative short stories 'ladish'.   Some have even criticised our extensive coverage of the discovery of the blacklist and our support for the electricians in the construction industry.  Yet, looking back perhaps over half of each issue of the journal has been dedicated to the arts, history and literature, and even some of our leading stories such as the interview with Sophie Lancaster's mother in N.V.13 are human interest based.  
 
Years ago, a criticism of N.V. by a reviewer in Freedom, reported in N.V.8 in 2007, was:  'Another major criticism of the magazine... is that it doesn't seem to carry any anarchist content', though the writer does admit that Northern Voices is 'appealing to a broad canvas ideal of northern working class community and history...'
 
Against those who want us to be more artistic and culturally based it is worth considering what George Orwell wrote when he was literary editor of Tribune in 1945: 
'We can assume that our public is intelligent, but not that it is primary interests are  literary or artistic, still less that our readers have been educated in the same way and will know the same jokes and recognise the same allusions. The smaller literary magazines tend to develop a sort of family atmosphere – almost, indeed, a private language unintelligible to outsiders – and, at the risk of offending a contributor now and then, we have made efforts to prevent that kind of thing from being imported into Tribune.  We never, for instance, review books written in foreign languages, and we try to cut out avoidable foreign quotations and obscure literary allusions.  Nor will we print anything unintelligible.  I have had several angry letters because of this, but I refuse to be responsible for printing anything I don't understand..' 

One example of what Orwell means by a smaller arty type magazine would be The Cunningham Amendment edited by Peter Good who was one of the founders of Northern Voices in the Summer of 2003, it is the kind of publication which has what Orwell calls a 'private language' and with a readership which sociologists would describe as being part of the adherents of an 'interpretive community'.  Another publication of this type would perhaps have been The Booster, which appeared in French and English and was published in Paris between September 1937 and  Easter 1939, in which Henry Miller, Abe Ratter, Alfred Perlès, Lawrence Durrell, William Saroyan, and Anaĭs Nin participated.  This is not the kind of thing that would appeal to the kind of person who reads Northern Voices.  
 
And yet, recently Steve from down South wrote us a letter saying:  'What I like about Northern Voices is its mixed content, it's very accessible and readable...'  
 
Before the ship went down at Freedom, ending the life of perhaps the oldest left-wing publication, Freedom agreed to publish a review by the northern historian and Labour councillor Paul Salveson.  The current editor Charlotte Dingle sent out an e-mail agreeing this in October 2013, but this decision was reversed in November 2013 on the grounds that Mr. Salveson's review was 'patronising'.  Now apart from the editor not knowing her arse from her elbow, one would have thought that it is in the very nature of a review to be patronising in the sense that as George Orwell says about Tribune which contrasts with the position adopted by Freedom before it died: 
'(What) is particularly important in the case of book reviews, in which it is often difficult for the reviewer to avoid indicating his own opinions...  We hold that the reviewers job is to say what he thinks of the book he is dealing with, and not what we think our readers ought to think.  And if, as a result, unorthodox opinions are expressed from time to time – even, on occasion, opinions that contradict some editorial statement at the other end of the paper – we believe that our readers are tough enough to stand a certain amount of diversity.  We hold that the most perverse human being is more interesting than the most orthodox gramophone record.'   

Donald Rouum and Charlotte Dingle, and other anarchists on the Freedom collective in 2014, would do well to ponder the contents of this statement put out by Orwell as literary editor of Tribune in his New Year message in 1945 .  And the pedantic and rather dogmatic Mr. Anonymous who wrote in a comment on the Northern Voices Blog: 'Why would an anarchist newspaper publish something written by a Labour Party hack? exactly! They wouldn't.... Grow up and get over yourself...' would do well to consider what Orwell's has to say below on reviews and the arts: 
'Obviously we cannot print contributions that grossly violate Tribune's policy.  Even in the name of free speech a Socialist paper cannot, for instance throw open its columns to antisemitic propaganda.  Looking through the list of our contributors, I find among them Catholics, Communists, Trotsktists, Anarchists, Pacifists, left-wing Conservatives, and Labour Party supporters of all colours.  All of them knew, of course, what kind of paper they were writing for and what topics were best left alone, but I think it is true to say that none of them has ever been asked to modify what he had written on the grounds that it was “not policy”.'   

Northern Voices has strongly supported Freedom for years, particularly when it was under attack from David Hoffman over theft of intellectual property and copywrite issues, but over a year ago we were told of crude threats to Freedom: 'don't publish or else' from a leading member of the Anarchist Federation (AF) in London this is clearly unhealthy in a libertarian publication.  This contrasts with Orwell's more mature editorial approach at Tribune, and whose journalism has been described by Timothy Garton Ash as a 'Gold Standard' for us all to aspire to.   Of late this doesn't seem to have been the case at Freedom Press and in 2012, the manager of the Freedom Bookshop, Andy, even took Northern Voices off the shelf and refused to sell NV13 after an approach from Nick Heath, the AF leader.  This in itself suggests a certain intellectual and moral bankruptcy, but in the case of the recent Paul Salveson review of Northern Voices' decade of publication, the editor Charlotte, had at first agreed to publish the review and later withdrawn this offer.  This time there is no indication that any external threats were applied.  This is only the latest in a long series of cases of clumsy decisions of this kind going back over a decade in which it often seemed the different editors of Freedom didn't know their arse from their elbow.   When a publication founded in 1886 by the geologist Peter Kropotkin begins to look like it is being managed by Snow White & the Seven Dwarfs it begins to look like English anarchism has begun to outlive its mission. 

Savile Abused Boy at Manchester Council's Broome House

YESTERDAY, John Scheerout in the Manchester Evening News (MEN), reported on the case of a now 56-year-old man who says he was assaulted at Manchester's notorious Broom House in children's home in Didsbury by Jimmy Savile.  The man said the then boss of Broom House, who was later jailed for targeting young lads in his care, introduced the DJ to him when he was 13.   

The man says Savile fed him alcohol and took him to his Salford flat to abuse him.  Now 56, this victim has told the MEN of the 'ordeal... he suffered while living at the Didsbury children's home, in the 1970s.'  
 
He tells John Scherout how 'one of the wardens, Ronald Hall, drove him to meet Savile at Piccadilly train station (in Manchester).'   

In 2001, Ronald Hall, who became assistant director of social services at Manchester town hall, was jailed for 11 years for sexual and physical abuse of children at Broome House.  He was released in 2010.  

In March, the education secretary Michael Gove ordered an investigation into how Savile was able to abuse children in care homes throughout the country, Broome House is one of two others in Greater Manchester.   

Knowl View another residential home for children under investigation for child abuse in Rochdale, where Cyril Smith was chairman, is in the Greater Manchester area.

Monday, 7 April 2014

'Elf 'N Safety' in Tory Britain!



For all those Tory Party members and readers of the Daily Mail, who think that health and safety for workers in Britain has become a big joke, they should watch this video.

This incident took place last month on Stamford Street, Ashton-under-Lyne, Greater Manchester. A structural engineer was working atop a cherry picker, just inches away from a two-storey building when it collapsed in front of him. Eye-witnesses described how the workman had removed just a single brick from the building when it came crashing down in front of him.

Fortunately no one was injured and the police quickly cordoned off the area. A blue plaque which was displayed on the front of the building, shows that this was once the home of Francis Thompson, the Catholic poet, from Ashton-under-Lyne, who was a member of the Rhymers' Club which met at the 'Olde Cheshire Cheese' pub in Fleeet Street, London, in the 1890s. Among its members, were Oscar Wilde, W.B. Yeats and Ernest Dowson.

The Threat of Nigel Farage!

THE British political class are having a bad time what with Maria Miller accused of fiddling her expenses by renting a house; the forthcoming referendum on Scotland's membership of the UK; and the possibility of a plebiscite on Europe in 2017.  It is a good time for campaigning politicians, and an editorial in last Saturday's Financial Times (FT) argues that 'the two most able practitioners of this particular art are Mr (Nigel) Farage the leader of UKIP) and Alex Salmond, the Scottish National Party leader.'  
 
David Cameron has been reluctant to take on Alex Salmond in a broadcast contest between the British Prime Minister and the Scottish First Minister.  But with the European elections approaching next month it will be Mr Farage who presents the more immediate problem.  The FT editors writes:  'Ukip will probably do well in May's European elections and could well top the poll.'   

Because of politicians like Maria Miller as the FT editorial says:  'Public respect for mainstream politicians is at an all time low.'  This low opinion among the general public is not likely to improve in the near future. The cynical anti-establishment position adopted by Farage pays off with most people, and it goes down well especially with the white working-class.  The left and the Labour Party has been losing its links with the white working-class.   

Farage is a great tactician who has moved Ukip from a narrow focus on the EU to a broader agenda; such as meshing Euroscepticism with the general public hostility to immigration.   Ukip represents a far more respectable face of the right than the BNP.  In this regard it will be more difficult to combat, and the FT leader writer believes the mainstream parties at present lack both the imagination and creativity to deal with Ukip.   
 
The weaknesses of Ukip is that it is undisciplined as a party, and that even though it has doubled its membership in the last years it is still heavily dependent on the personality of its leader. 

'Hunger for Trade' at Royal Exchange

ROYAL EXCHANGE STAGES FOUR NEW PLAYS AS PART OF INTERNATIONAL RESPONSE TO THE GLOBAL FOOD CRISIS
HUNGER FOR TRADE
The Studio, Royal Exchange Theatre
St Ann’s Square, Manchester
Thursday 24 April – Saturday 3 May

Manchester’s Royal Exchange Theatre set to stage four new plays as part of HUNGER FOR TRADE – an international performing arts response to the global food crisis.

New pieces of work will be seen at The Studio at the Royal Exchange Theatre from Thursday 24 April to Saturday 3 May.

Overseen by the Schauspielhaus in Hamburg, HUNGER FOR TRADE has been created in collaboration with nine theatres across four continents, with the Royal Exchange representing the UK.

The response comes against a backdrop of global food supplies facing crisis conditions as climate change, population growth and diminishing resources contribute to catastrophic outcomes for many parts of the world.

The plays being staged at the Exchange are by four of the country’s most exciting emerging playwrights - Miriam Battye, Brad Birch, Alistair McDowall and Kellie Smith. Written under the mentorship of multi-award-winning and internationally renowned playwright Simon Stephens, these new plays all explore the commodification of food.

The four plays being staged are: THIS LAND by Alistair McDowall which looks at how in court, on farms and in the dirt, big business is laying claim to everything nature has to offer; BALANCE by Miriam Battye, which shows a  family’s relationship buckling under the strain of a mother’s international career; BLACK GOLD by Kellie Smith, set in Ivory Coast, which tells the story of a British trader clashing with a cocoa farmer on the eve of a civil war and TENDER BOLUS by Brad Birch which charts the drama of a desperate couple on the brink of bankruptcy who clamber for a lifeline during one last gorge.

Those performing include Shobna Gulati, William Ash, David Crellin, Chris Jack, Kimberly Hart-Simpson, Sara Sadeghi and Olwen May. The plays have been directed by AlexSummers and Polly Thomas

A multi-media installation exploring production and consumption in the modern world will be open to walk round an hour before each show. The HUNGER FOR TRADE installation will feature an audio-visual exploration of ownership, family, culture, greed, ritual, gastronomy, , patents, property rights and chocolate.

For further information or for press review ticket requests, please contact JOHN GOODFELLOW (Press & Communications Manager) on 0161 615 6783 / john.goodfellow@royalexchange.co.uk.

 HUNGER FOR TRADE – LISTINGS INFORMATION
The Royal Exchange Theatre presents
HUNGER FOR TRADE
Featuring:
BLACK GOLD and TENDER BOLUS:
Thursday 24 April, 7.30pm
Friday 25 April, 7.30pm
Saturday 26 April, 8.00pm
BALANCE and THIS LAND:
Thursday 1 May, 7.30pm
Friday 2 May, 7.30pm
Saturday 3 May, 8.00pm
The Studio, Royal Exchange Theatre
St Ann’s Square, Manchester
Tickets £12/£10
Box Office: 0161 833 9833 or online

News from Jerry Hicks of Unite!

Hi: Two important reminders and one 'big' item of news. Please forward this email to those who you think will have an interest [tweet, facebook and stuff.......... Let me know if you can make the conference [reminder 2] See you there.
1] Unite NEC elections you should by now have [voted!] your ballot papers they will need to be returned by 23rd April.
Please vote and encourage other members to vote for : The candidates [That I know of] who want elected officials. By the members, for the members & accountable to the members!
Nationally : Lesley Mansell for the LGBT seat Email: lesley@grassrootsleft.org Tel 07980 695117 Visit: www.grassrootsleft.org
Nationally : Golam Bhuiyan BAEM seat Email kabiruk@gmail.com Visit http://www.grassrootsleft.org/
Regionally: Glyn Williams for the North East, Yorkshire & Humberside seat. Email glynwilliams@hotmail.com phone 07975595971
2] Saturday 12th April 2014: 12 noon to 4pm.Grass Roots Rank & File [Unite Fightback] conference:
Birmingham ‘Where we are & what’s next?’ The Comfort Inn: Station Street B5 4DY. Opposite Birmingham New Street Station & is also a short walk from Snow Hill & Moor St stations.
This meeting is open to members of UNITE the union, their families, friends & trade unionists who are supporters.
Finally & significantly There were lots of things wong during the 2013 Unite General Secretary election 'A chance to clean up the union'
3] Jerry Hicks has been granted a full hearing by the independent trade union watchdog [Certification Officer] to be held in London on 22nd and 23rd July. And it may result in the election having to be re-run.
Jerry lodged a complaint way back in September 2013 when it emerged that 158,000 ballot papers were sent to members no longer paying fees. During the election there were also attempts to slur the name of Jerry Hicks, and these matters are also included along with misuse of union resources in the 8 point complaint.
The certification officer [CO] has wide-ranging powers. Indeed in 2011 the construction union UCATT were forced to re-run a leadership election, the CO declaring the vote invalid.
This has attracted both national and local press coverage.................................................Watch this space!!

Friday, 4 April 2014

Report in Rochdale Abuse Case Imminent

BARRISTER Andrew Warnock, who is delving into the the claims of sexual abuse in the 1980s and 1990s at the Knowl View special school in Bamford, a posh suburb of Rochdale, is expected  publish his report into the case next month.  At that time in the 1980s and 90s, about a dozen boys, some as young as eight, are reported to have been victims of wicked sexual abuse. 

This last week, the Rochdale local authority bosses said they expected Mr. Warnock's results will be out in May.  Council leader Colin Lambert said:  'I have said that we will leave no stone unturned to uncover the truth.'  Hence he added:  'It is important for any member of the council, council officer or staff who worked at the school to speak with us if they know anything.'

This will not be easy because anyone who comes forward now, will face the inevitable question as to why they did not come forward before. 

In 2012, an ex-pupil at the school Chris Marshall had said that the now disgraced former Rochdale MP Cyril Smith, then chairman of Knowl View, had abused him at the school.  

Mr Warnock from London is, we are told, a specialist in child abuse and public sector claims, but other legal sources have told Northern Voices that he is usually engaged in the role of a defence counsel.  This report is separate from the Greater Manchester Police investigation into Knowl View, and the general 'super-inquiry' by Anne Coffey MP into sexual abuse across the region.

Tolpuddle Radical Film Festival

Hello Editor,
I contacted you recently asking for support for the Tolpuddle Radical Film Festival in July. We have done pretty well so far, raising over £1,000 from trade union branches and University supporters but we need more in order to hire the vintage cinema bus and put this festival on.
We are now seeking smaller individual contributions throughSponsume to ensure this is a truly collectively owned event. Could you please forward this email on to your members and contacts lists.
Many Thanks,
Reuben
 
TheTolpuddle Radical Film Festival will be free at the point of use; no one has to pay to see these films. But the festival still has to be paid for. We have raised half the money already from Trades Councils, Union Branches and other organisations but we want the ownership of this event to be as broad as possible so we have now launched a crowd funding campaign. All contributions will help so whether you want to bung us a quid, or treat someone to a special seat, your support will be hugely welcome.
http://www.sponsume.com/project/tolpuddle-radical-film-festival
More About The Festival
The main Tolpuddle Festival will run from Friday 18 July 2014 - Sunday 20 July 2014. We will run alongside this festival and be included in their publicity (brochures, website etc). We are currently negotiating to launch the festival with a pre-release screening of Still The Enemy Within and will be theming the festival on mining and Trade Unionism in honour of the 30th anniversary of the 1984 Miners strike. We will also be running a short film competition ‘Small Axe’ to encourage and promote new radical political filmmaking.
Ken Loach is supporting the festival and may come to speak: “I strongly support the idea of a Radical Film Festival at Tolpuddle. Films can bring in new ideas, new perspectives, new voices. As trade unionists we urgently need to re-examine our attitude to the existing parties. We need real political representation and to re-discover our militancy. Films that reflect struggles of working people can be a spur to action”Ken Loach
All the management and organisation of the festival is being done voluntarily. We will be screening films in the Vintage Mobile Cinema. To do this we need to raise £2500. If we can raise more this will allow us to invite more speakers (paying their expenses) and promote the event more widely. We also hope to raise money to provide a prize for the Small Axe competition.

Thursday, 3 April 2014

Farage, UKIP & the White Working-Class

LAST night's exchange between Nigel Farage of UKIP and Nick Clegg of the Lib-Dems was a mainly unremarkable encounter.  I thought the result was fairly even, but the public poll by YouGov gave the UKIP leader the best performance among 68% of viewers against 27% for Clegg.

Mr Farage's claim last night that the white working-class have been abandoned by the main stream politicians will be a telling factor in the forthcoming EU elections.  With the rise of the far right in France, it would seem that UKIP will score well in those elections.

It is not yet clear how this will effect future elections such as the General Election in the UK in 2015.  For the moment though talk and interest in the pubs among the white working-class favours Farage and UKIP. 

Wednesday, 2 April 2014

Silone police informer turned novelist

& Skinner's gansta rap lyrics!

DOES art mirror life?  Is it possible to find in the fictional writings of a novelist or the lyrics of a song-writer historical evidence of real events or even confessions of past sins?   

Prosecutors and law enforcement officers in the USA have used FBI analysts to look at rap lyrics when investigating gangs.  The New Jersey Supreme Court will soon hear arguments on if 13 pages of lyrics written by Vonte Skinner – including lines like 'four slugs drillin' your cheek to blow your face off and leave your brain caved in the street' – should have been admitted at his trial for attempted murder.   

Erik Nelson, an assistant professor of liberal arts at the University of Richmond, has said:  'What's getting really unnerving, is the amount of time it appears both police and prosecutors are spending over rap lyrics and videos on social media rather than using that time to go and rather more convincing, more conventional evidence.'   

Lorne Manly, a journalist on the New York Times writes: 
'In the profane world of hardcore rap, verisimilitude is prized.  Growing out of the ghettos on the West Coast in the 1989s, gangsta rap made the gritty reality of gangs, violence and drugs central features.'   

Prosecutors believe that such lyrics can be useful in building cases because of the search for status:  attaining it, crowing about it, expanding it, is, some think, integral to gang life.  It is claimed that if you listen to these songs you will hear gang members confessing to crimes they had committed previously and were through their art disseminating within their neighborhoods.   

Similarly, in an essay entitled 'The Secret Life of Ignazio Silone' by John Foot in Left Review it is claimed that between 1920 and 1930 Silone was an informer to Mussolini's political police.  A letter from Silone, written in early 1930 and addressed to Emilia Bellone, sister to Guido Bellone, General Inspector of Public Security charge with stamping out subversion in which he pleaded to be released from 'all falsehood, doubt and secrecy', expressing a desire 'to repair the damage that I have caused, to seek redemption, to help the workers, the peasants (to whom I am bound with every fibre of my body) and my country.'  

An article detailing Silone's history as an informer almost up to his expulsion from the Italian Communist Party (PCI) in 1931 was written by Mauro Cananli entitled 'Ignazio Silone & the Fascist Political Police' and published in Modern Italian Studies, 5 (1) in 2000, it was greeted with consternation because Silone after his career as a police informer went on in the 1930s to write books that represented some of the best attacks on Fascism and which John Foot describes this by saying 'his novels had become very effective weapons against it (the Mussolini regime).'  He was central to Italian literature of the period and widely respected outside the circles of the communist party.  George Orwell wrote of a special class of literature that had come out of  the European struggle since the rise of Fascism: 
'Some out of the outstanding figures in this school of writers are Silone, Malraux, Salvemini, Borkenau, Victor Serge and Koester himself.  Some of these are imaginative writers, some are not, but they are all alike in that they are trying to write contemporary history, but unofficial history, the kind that is ignored in the text-books and lied about in the newspapers.'  

As with the US police investigators into gangsta rap some Italian intellectuals claim to be able to see in Ignazio Silone's novels such as 'Bread & Wine', 'The Fox' and 'And He Did Hide Himself' an author finding himself wrestling with issues of treachery and collaboration.  The spy in 'Bread & Wine' relates:  'In my solitary broodings, that left me not a moments peace,I passed from fear of punishment to fear of non-punishment..'  And Adriano Sofri asked in La Republica on the 15th, April 2000:  'One re-reads all of Silone, and one thinks: how could we not have seen it before?'  John Foot's essay doesn't provide us with any clear evidence as to what might have been Silone's motivation for becoming an agent of the secret police and why he became one at the age of nineteen, but there was 'little to reveal ideological commitment to Fascism later'.  Foot writes:  '... it is striking that the regime did not expose Silone in the thirties, when his novels had become very effective weapons against it.'  The problem was that once Silone had begun to inform it was, says Foot, 'very difficult (and dangerous) for him to stop'.   

Crime fiction was used in the USA to establish the guilt of an author and show he had a violent streak three decades ago, but the case was overturned on appeal, with the decision rejecting the proposition 'that an author's character can be determined by the type of book he writes'.  In the Skinner case the New Jersey chapter of the American Civil Liberties Union has used 'Crime & Punishment' and 'Folsome Prison Blues' to make a  similar point:  'That a rap artist wrote lyrics seemingly embracing the world of violence is no more reason to ascribe to him a motive and intent to commit violent acts than to saddle Dostoyevsky with Raskolnikov's motives or to indict Johnny Cash for having “shot a man in Reno just to watch him die”.'   

The mystery still remains about the relationship between between the artist's real live experience and his creative work.  George Orwell writing his essay about Artur Koestler in 1944 wrote that 'there has been nothing (written in England) resembling for instance, Fontamara or Darkness at Noon, because there is almost no English writer to whom it has happened to see totalitarianism from the inside.'   Orwell continues:  'Most of the European writers I mentioned above (Silone, Malraux, Victor Serge and Koestler) and scores of others like then, have been obliged to break the law in order to engage in politics at all; some of them have thrown bombs and fought street battles, many have been in prison or concentration camp, of fled across frontiers with false names and forged passports.'  Orwell then says one could not expect Professor Laski 'indulging in activities of this kind' nor  indeed today, nor could one anticipate anything of this kind from the henpecked anarchists who operate the Manchester book fair or those Londoners who stay stum about malicious and false allegations of 'anti-Antisemitism' and the destruction of book stalls.