Showing posts with label Big Issue. Show all posts
Showing posts with label Big Issue. Show all posts

Wednesday, 15 January 2020

DOPE: An Anarchist 'Big Issue'?

by Brian Bamford
ON 'START the WEEK', on Radio 4 this week, Tom Sutcliffe discussed a world without work with Daniel Susskind, Suzi Gage, Anoosh Chakelian and Sir John Strang.

Journalist Anoosh Chakelian of the New Statesman, had gone behind the scenes at a new magazines set up to rival the Big Issue, as she explored Britain's homelessness crisis.

The journal called DOPE is run voluntarily as a radical publishing 'affinity group', and all the money they make from sales and subscriptions goes back into the cooperative’s efforts, in particular printing more solidarity copies of the DOPE Magazine for street-vendors.

Following the pattern of The Big Issue, these new journals enable rough sleepers to earn money rather than beg, and creates respectable employment opportunities.  But also Chakelian troubled about the way in which a country with growing numbers of homeless people is now evolving these  industries based upon their suffering.

On a daily basis the homeless vendors turn up keen to sell for more copies, to the point where affinity group has had to limit the number they give to individuals to ensure there are enough to share around. Starting out printing 1000 copies per issue back in 2016, the last issue (Autumn 2019) went up to 5000 copies.  Next they want to print 10,000.

The Whitechapel premises has in the past been describe as 'an anarchist hangout', and it has long been used as a premise for all sorts of odds and sods to shack-up.  Historically it was the base of British anarchism in times when it was run by traditional anarchists to publish Freedom, perhaps one of the oldest anarchist publications in the world, which was first established in 1884.


DOPE is funded by people buying a copy online, or taking out a subscription, or supporting them on Patreon.  It is a direct way of contributing to autonomous and political support of homeless and imprisoned people.

 The affinity group claim:
'We’ve reached the point in the economies of scale now where it only costs £75 to print an extra 1000 copies. The cover price is £3, so that equates to £3000 to the people selling it on the street. To us that seems like a pretty good (and cheap!) win-win – anarchist propaganda in the hands of people who might not otherwise have read it, and money in the pocket of people who need it most.'

In 1987, in the town of La Línea de la Concepción at the anarchist branch of the CNT trade union in the Bay of Gibraltar in Andalucia, Spain, a similar attempt was made to help the locals find homes, as I recall the venture was egged-on by the La Línea Social Democratic Party [PSOE]; it turned out to be a bit of a con and the local CNT suffered in consequence.  

The new publication, DOPE Magazine is a quarterly newspaper called, is produced by an anarchist publisher called Dog Section Press in London since spring 2018, and is now being sold by homeless people in cities around the country, from Bristol to Edinburgh.


Stylishly designed with edgy cover illustrations, its contributors include the poet Benjamin Zephaniah, musicians Sleaford Mods and Drillminister, and artists Laura Grace Ford, Cat Sims and Liv Wynter.  It already has a circulation of over 5,000.

DOPE is not the only new publication to rival the Big Issue.  Another non-profit underground paper called Nervemeter started up in 2011 under the coalition government, for 'people who may have found that their benefits have been cut: they are skint, they may be sick, they desperately need to make some cash', according to the introduction of its first issue.

Still running, this is a bit different because the vendors ask for donations from recipients for the magazine, with a suggestion of £3 minimum.  Yet part of its appeal is also as a Big Issue alternative. 'Nervemeter is not a registered charity,' reads its website'We don’t trust registered charities and you shouldn’t either. We are a charitable organisation and are 100 per cent transparent, which means every penny you give us goes on printing and nothing else.' 

There have always been grassroots responses to homelessness, but trends like this reflect its scale in the country.  The latest count for the whole of England, in January last year, showed a 165 per cent increase in rough sleeping overall since 2010.

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Thursday, 21 January 2016

Roger Allam & Living in London

by Les May
I first saw the actor Roger Allam in a short series called 'The Creatives' which ran from 1998 to 2000.  I did not see him again until he appeared in the part of  veteran Detective Inspector Fred Thursday in the ITV series 'Endeavour'.  (This may tell you more about my TV watching habits than about his career trajectory.)   In the three series he has constructed an entirely believable character whose defining characteristic is his ordinariness, though in one episode we are let in on the secret that as well as a happy family life he also has a 'history'.   Unsurprisingly he has recently found himself in demand as an interviewee in publications as different as the Sunday Post and the Big Issue.

The 'Endeavour' series is set in the 1960s and in his Big Issue interview he makes a couple of 'sixties' comments:

'By discovering the threatre I not only started unocking the mysteries of the city and what was on offer but also discovered that this is where I wanted to be.  I loved the live experience. And because it was so cheap, I could go pretty frequently.  Subsidy back then was a commitment to keeping seat prices down – it wasn't a corporation buying advertising.  The arts have become more elitist.  The involvement of corporations and wealthy individuals means that more of it is theirs and less of it is ours.  I am so glad looking back, that I lived through our brief social democratic blip and that those things were available to me as a boy.'

He ended his interview by saying:

'I have always lived in London.  I am a Londoner.  But the city will start to die because of what is happening with property.  Young people can't afford to live here.  It's become a place where housing is all about investment.  The monetisation of everything means it seems to be ceasing to function as a city in which people of all incomes can easily live alongside each other.  When I was  born in the East End, I'd go to sleep to the sound of the tugs on the docks.  There were thousands of dockers, and working class people could live in London.  It feels depressing to me as a place now. Everything's about money.   It is very, very corrupt.'

That 'brief social democratic blip' he speaks of is a time well within living memory, so we know that such a society is achievable.  But to achieve it we need to change the terms of the debate.  That's what I think Jeremy Corbyn is trying to do.