Showing posts with label Paris. Show all posts
Showing posts with label Paris. Show all posts

Saturday, 12 September 2020

Octavio Alberola says goodbye to Stuart Christie

Octavio Alberola, who was in charge of Defensa Interior and was a close friend of Stuart’s has left us this farewell message to his friend.
Stuart Christie, comrade and friend
by OCTAVIO ALBEROLA
THE news of Stuart Christie’s death arrived by phone halfway through yesterday afternoon from comrade René after he asked if I had heard the bad news and after I quizzed him brusquely: Who’s dead? I could tell from his tone of voice that it must have been somebody close who had passed away.
René’s answer stopped me in my tracks, because even though Stuart had told me a week before that the cancer had left him still hoarse and that the findings of his medical tests were none too encouraging, it never at any moment occurred to me that he would be taken so quickly. I am surrounded by several male and female comrades – more or less of my own age – who are in none too rude health and at my age (due to turn 93 shortly) the thought that one’s days are numbered is just “normal”.
But in Stuart’s case, how could this be when he was eighteen years my junior? Besides, we had both been working on joint projects and both had been determined to plough ahead with our battles with the world of authority and exploitation.
To me, his death represents not just the loss of a comrade and friend but an end to long years collaborating on joint actions and initiatives designed to expose the injustices of the world in which we live and the fight for a fairer, freer world. A world that is possible for all of us who have not given up on wishing and trying to work towards a consistent practice of active, internationalist revolutionary solidarity.
We have known many years of brotherly relations ever since our first meeting back in August 1964 and up until 2020, without interruption. Half a century of our lives in tandem, one way or another, working on behalf of a common cause, heedless of borders. That struggle, though centred on the Spanish people’s political and social vagaries, initially under the Franco dictatorship and later under this phoney democracy spawned by the Transition/Transaction, has at all times carried the imprint of an internationalist revolutionary outlook.
The evidence of that, in Stuart’s case, was the time he spent behind bars in Spain and England, and in the case of Brenda his partner, in Germany and, in the cases of Ariane and myself, in Belgium and France. Experiences that bear witness to struggles that knew no borders as we knew that a characteristic of freedom is that it is the right of every man and woman.
So how could I not feel impelled to remember it now that our fraternization with Stuart has ended with his death? As well as with the death just a few days ago of the German comrade Doris Ensinger, the partner of Luis Andrés Edo, with whom Stuart shared some of his prison experiences and with whom he rubbed shoulders in their struggles; obviously, speaking for myself, the loss of Doris in a way represented the final ending of my fraternization-in-struggle with Luis. A finale that started some years back with Luis’s own death.
The fact is that in the case of Doris’s death too I was stopped in my tracks, startled by the news of her demise communicated to me by Manel, as barely a week earlier she had sent Tomás and me an email to let us know that she had been abruptly recalled to the hospital and undergone a transplant operation … But was now back home and feeling well …
Meaning that yet again I am brought face to face with the tenuousness of our existence and the need to preserve the memory of what we strove to be and do, to the very death.
Perpignan, 17 August 2020
Octavio Alberola
From RojoyNegro_Digital el Mar, 18/08/20; 15:02 http://rojoynegro.info/articulo/memoria/octavio-alberola-se-despide-stuart-christie Translated by: Paul Sharkey & REPRINTED BY KATE SHARPLEY

Tuesday, 11 September 2018

Burnley Literary Festival

From Mike Waite
Event on 1968 / counterculture at Burnley Literary Festival
THE third annual Burnley Literary Festival runs from 28 September to 1 October, and features a wide range of events, including street theatre about the campaign for womens’ suffrage, lectures on Sylvia Plath, interactive workshops and much more: www.burnleyliteraryfestival.co.uk

We thought that you / your readers / people you are in contact with could be particularly interested in one of the sessions:  Anarchist poets and Burnley Wood communes: ‘1968’ counterculture around Burnley & East Lancashire’.

This will run at Burnley Central Library on Saturday 29th September, starting at 11.30 a.m., and finishing a little after 12.30.

The key inputs will be from Tina Morris, a poet and children’s writer, who contributed to Michael Horovitz's landmark anthology Children of Albion: Poetry of the Underground in Britain (Penguin Books, 1969), and Bruce Wilkinson, author of Hidden Culture, Forgotten History: a northern poetic underground and its countercultural history  (Penniless Press, 2017) : http://www.pennilesspress.co.uk/books/hidden_culture.htm

More details: The ‘summer of love’ and radical counter-culture didn’t just happen at the Woodstock music festival or amongst student protestors in Paris. ‘1968’ and its promise of alternative lifestyles and new progressive values drew in young people in Burnley and Blackburn.  The culture and politics of East Lancashire were enlivened by theatrical ‘happenings’ on the streets, and a lively subculture of poetry readings and little magazines. This session will include discussion, reminiscence and declarations, touching on a 1960s obscenity trial in Blackburn, and the beginnings of local co-operative housing and environmental politics.

Tickets are free, but must be booked in advance:

Thursday, 5 May 2016

France: Police Evict Asylum Seekers!


Protesters in Paris have been tear-gassed as they demonstrated against the decision to evict at least 277 asylum seekers who had been living in a high school. Almost three hundred refugees had camped out in an empty high school that was due to reopen after renovation. 
Demonstrators, wearing masks and hoods, formed a human chain to stop officers fro entering the building. But police deployed tear gas on the rally and managed to remove each one of the migrants living in the school. 
The refugees, who were mostly from Afghanistan, Eritrea and Somalia, started occupying the Jean Jaurès School on April 21 to 22. Huge crowds of protesters linked arms to guard the gates this morning after the authorities ruled that the asylum seekers must be removed to allow the school to open. 
But the rally turned violent when police decided to use teargas to disperse the crowd as they tried to stop them from entering the building, Paris police chief Michel Cadot said. According to Eric Coquerel, from the Left Party, who took part in the protest, the police use of force was “unjustified.”
Read more: Vickiie Oliphant, Express 04/05/2016

Tuesday, 20 January 2015

Charlie Hebdo & War for Civilisation

15 January 2015:

Charlie Hebdo And The War For Civilisation

IN 2003, a top security expert told filmmaker Michael Moore, 'there is no one in America other than President Bush who is in more danger than you'. (Michael Moore, 'Here Comes Trouble – Stories From My Life,' Allen Lane, 2011, p.4)
Moore was attacked with a knife, a blunt object and stalked by a man with a gun.  Scalding coffee was thrown at his face, punches were thrown in broad daylight.  The verbal abuse was ceaseless, including numerous death threats.  In his book, 'Here Comes Trouble', Moore writes:
'I could no longer go out in public without an incident happening.' (p.20)
A security company, which compiled a list of more than 440 credible threats against Moore, told him:
'We need to tell you that the police have in custody a man who was planning to blow up your house. You're in no danger now.' (p.23)
But why was Moore a target? Had he published cartoons of the Prophet Muhammad?
The problem had begun in the first week of the 2003 Iraq war when Moore's film 'Bowling For Columbine' won the Oscar for best documentary. At the March 23 Academy Awards ceremony, Moore told a global audience:
'I've invited my fellow documentary nominees on the stage with us. They are here in solidarity with me because we like nonfiction. We like nonfiction, yet we live in fictitious times. We live in a time where we have fictitious election results that elect a fictitious president. We live in a time where we have a man sending us to war for fictitious reasons. Whether it's the fiction of duct tape or the fiction of orange alerts: we are against this war, Mr. Bush. Shame on you, Mr. Bush. Shame on you! And anytime you've got the Pope and the Dixie Chicks against you, your time is up! Thank you very much.' (p.5-6)
About halfway through these remarks, Moore reports, 'all hell broke loose'. On arriving home from the ceremony, he found three truckloads of horse manure dumped waist-high in his driveway. That night, Moore witnessed for himself the extent to which US corporate journalism defends the right to offend:
'...as I flipped between the channels, I listened to one pundit after another question my sanity, criticise my speech, and say, over and over, in essence: "I don't know what got into him!" "He sure won't have an easy time in this town after that stunt!" "Who does he think will make another movie with him now?" "Talk about career suicide!" After an hour of this, I turned off the TV and went online – where there was more of the same, only worse – from all over America.' (pp.9-10)
This is the reality of respect for free speech in the United States. If, on Oscar night, he had held up a cartoon depicting President Bush naked on all fours, buttocks raised to a pornographic filmmaker, would Moore still be alive today?

War - Total, Merciless, Civilised

In stark contrast to the campaign of near-fatal media vilification of Moore, journalists have responded to the Charlie Hebdo atrocity in Paris by passionately defending the right to offend. Or so we are to believe. The Daily Telegraph's chief interviewer, Allison Pearson, wrote:
'Those that died yesterday did so on the frontline of a war of civilisations. I salute them, those Martyrs for Freedom of Speech.'
Former French president Nicolas Sarkozy agreed, describing the attacks as 'a war declared on civilisation'. Joan Smith wrote in the Guardian:
'I am feeling sick and shaky. I have been writing all day with tears running down my face. I don't suppose I'm alone in reacting like this to the massacre at Charlie Hebdo, which is an assault on journalists and free speech.'
New York Times columnist Roger Cohen tweeted:
'I am shaking with rage at the attack on Charlie Hebdo. It's an attack on the free world. The entire free world should respond, ruthlessly.'
The Western tendency to act with ruthless, overwhelming violence is, of course, a key reason why Islamic terrorists are targeting the West. Glenn Greenwald asked Cohen:
'At whom should this violence be directed beyond the specific perpetrators, and what form should it take?'
Sylvain Attal, editor of new media at TV station France24, replied:
'response must be both merciless and respectful of our legal system. Period'
End of discussion. American journalist and regular Fox News talk show host, Geraldo Rivera, raved:
'The French extremists say they are committed to Jihad and are willing to die for their cause. We should make their wish come true. No mercy'
The 'entire free world', then, should resort to ruthless, merciless violence to defend 'civilisation', a term some naïve souls have associated with compassion, restraint, and even the bizarre exhortation:
'Love your enemies, bless them that curse you, do good to them that hate you, and pray for them which despitefully use you, and persecute you.'
Cohen retweeted Anand Giridharadas, who writes for the New York Times:
'Not & never a war of civilizations or between them. But a war FOR civilization against groups on the other side of that line. #CharlieHebdo'
Thus, we live in a time when a 'war for civilisation' is seen as something more than a grotesque contradiction in terms.
Much, but thankfully not all, media coverage has been this extreme. To his credit, former Independent editor Simon Kelner managed a rather more nuanced view.

Journalism - Part Of 'The Murder Machine'

In The Times, the perennially apocalyptic David Aaronovitch wrote:
'Yesterday in Paris we in the west crossed a boundary that cannot be recrossed. For the first time since the defeat of fascism a group of citizens were massacred because of what they had drawn, said and published.'
The Guardian took a similar view:
'Wednesday's atrocity was the... bloodiest single assault on western journalism in living memory.'
But, in fact, the bloodiest attack on journalism in living memory, at least in Europe, happened on April 23, 1999 when Nato bombed the headquarters of Serbian state radio and television, killing 16 people. The dead included an editor, a programme director, a cameraman, a make-up artist, three security guards and other media support staff. Additional radio and electrical installations throughout the country were also attacked. The New York Times witnessed the carnage:
'The Spanish-style entrance was ripped away by the blasts, which seemed to hit the roof just under the large girder tower that holds numerous satellite dishes. Although the tower and blackened dishes remained, the control rooms and studios underneath had simply disappeared.'  (Steven Erlanger, 'Survivors of NATO Attack On Serb TV Headquarters: Luck, Pluck and Resolve,' The New York Times, April 24, 1999)
Presumably this had been some kind of terrible mistake by the civilised West crossing a boundary that could not be recrossed. No, Nato insisted that the TV station, a 'ministry of lies', was a legitimate target and the bombing 'must be seen as an intensification of our attacks'. A Pentagon spokesman added:
'Serb TV is as much a part of Milosevic's murder machine as his military is. The media is one of the pillars of Milosevic's power machine. It is right up there with security forces and the military.' (Erlanger, op.cit.)
Amnesty International responded:
'The bombing of the headquarters of Serbian state radio and television was a deliberate attack on a civilian object and as such constitutes a war crime.'
In all the corporate press discussion of the Paris killings, we have found no mention of Nato's bombing of Serbian TV and radio.
In August 2011, Irina Bokova, Director-General of UNESCO, condemned Nato's bombing of Libyan state broadcasting facilities on July 30, killing three media workers, with 21 people injured:
'I deplore the NATO strike on Al-Jamahiriya and its installations. Media outlets should not be targeted in military actions. U.N. Security Council Resolution 1738 (2006) condemns acts of violence against journalists and media personnel in conflict situations.'
Again, Nato confirmed that the bombing had been deliberate:
'Striking specifically these critical satellite dishes will reduce the regime's ability to oppress civilians while [preserving] television broadcast infrastructure that will be needed after the conflict.'
In November 2001, two American air-to-surface missiles hit al-Jazeera's satellite TV station in Kabul, Afghanistan, killing a reporter. Chief editor Ibrahim Hilal said al-Jazeera had communicated the location of its office in Kabul to the American authorities.
In April 2003, an al-Jazeera cameraman was killed when the station's Baghdad office was bombed during a US air raid. In 2005, the Guardian quoted the International Federation of Journalists (IFJ):
'"Reports that George Bush and Tony Blair discussed a plan to bomb al-Jazeera reinforce concerns that the US attack in Baghdad on April 8 [2003] was deliberate targeting of the media" said Aidan White, the general secretary of the IFJ.'
According to the Daily Mirror, Bush had told Blair of his plan:
'He made clear he wanted to bomb al-Jazeera in Qatar and elsewhere. Blair replied that would cause a big problem. There's no doubt what Bush wanted to do - and no doubt Blair didn't want him to do it.'
Similarly, during last summer's blitz of Gaza, Israel killed 17 journalists. An investigation led by Human Rights Watch concluded that Israeli attacks on journalists were one of many 'apparent violations' of international law. In a 2012 letter to The New York Times, Lt. Col. Avital Leibovich, head spokeswoman to foreign media for the Israel Defense Force, wrote:
'Such terrorists, who hold cameras and notebooks in their hands, are no different from their colleagues who fire rockets aimed at Israeli cities and cannot enjoy the rights and protection afforded to legitimate journalists.'

'Sorry For Any Offence'

Aaronovitch warned that 'appalling' as previous attacks on Western free speech had been, 'they were generally the work of disorganised loners', whereas the Paris attacks seemed to have been more organised. What then to say of lethal attacks on journalists conducted, not by a group of religious fanatics, but by democratically elected governments?
Given this context, corporate media commentary on the Charlie Hebdo massacre all but drowns in irony and hypocrisy. The Telegraph commented:
'But the march in Paris reminds us, at the very least, that the men of violence are not just a minority, but a fragment of a fragment. And it may be that it also acts as a turning point. The US is to hold a conference at the White House on countering violent extremism...'
In fact, as LSE student Daniel Wickham clarified, 'men of violence' were among the marchers. Certainly the White House is a good place for people to do some serious thinking about violent extremism and how to stop it.
A Guardian leader observed:
'When men and women have gone to their deaths for nothing more than what they have said, or drawn, there is only one side to be on.'
True, but if it is to be meaningful, support for the right to offend must not defer to a self-serving view of a world divided into 'good guys' and 'bad guys', 'us' and 'them'. Like the rest of the media, the Guardian protests passionately when 'bad guys' commit an atrocity against 'us', but emotive defences of free speech are in short supply when 'good guys' bomb Serb and Libyan TV, or threaten the life of progressive US filmmakers. Far fewer tears are shed for Serb, Libyan or Palestinian journalists in US-UK corporate media offices.
The Guardian added:
'Being shocking is going to involve offending someone. If there is a right to free speech, implicit within it there has to be a right to offend. Any society that's serious about liberty has to defend the free flow of ugly words, even ugly sentiments.'
The sentiment was quickly put to the test when BBC reporter Tim Willcox commented in a live TV interview:
'Many critics though of Israel's policy would suggest that the Palestinians suffer hugely at Jewish hands as well.'
This mild statement of obvious fact brought a predictable flood of calls for Willcox to resign. The journalist instantly backed down:
'Really sorry for any offence caused by a poorly phrased question in a live interview in Paris yesterday - it was entirely unintentional'
A BBC spokesman completed the humiliation:
'Tim Willcox has apologised for what he accepts was a poorly phrased question... He had no intention of causing offence.'
Glenn Greenwald describes the prevailing rule:
'As always: it's free speech if it involves ideas I like or attacks groups I dislike, but it's something different when I'm the one who is offended.'
Chris Hedges notes:
'In France a Holocaust denier, or someone who denies the Armenian genocide, can be imprisoned for a year and forced to pay a $60,000 fine. It is a criminal act in France to mock the Holocaust the way Charlie Hebdo mocked Islam.'
A point emphasised by the recent arrest of a French comedian on charges of 'defending terrorism'.
The irony of the BBC apology, given recent events, appears to have been invisible to most commentators.   Radical comedian Frankie Boyle is a welcome exception, having earlier commented:
'I'm reading a defence of free speech in a paper that tried to have me arrested and charged with obscenity for making a joke about the Queen'
The Guardian leader concluded:
'Poverty and discrimination at home may create fertile conditions for the spread of extremism, and western misadventures abroad can certainly inflame the risks.'
The term 'western misadventures' is a perfect example of how media like the Guardian work so hard to avoid offending elite interests with more accurate descriptions like 'Western atrocities' and 'Western genocidal crimes'.
A leader in The Times observed of the Charlie Hebdo killers:
'Their victims knew the risks they ran by defying the jihadist strategy of censorship through terror. They accepted those risks. They understood that freedom is not free, and so should we all.'  (Leader, 'Nous Sommes Tous Charlie,' The Times, January 8, 2015)
Fine words, but in 2013 Times owner Rupert Murdoch apologised for a powerful cartoon by Gerald Scarfe that had appeared in the newspaper. The cartoon depicted the brutal Israeli treatment of Palestinians but was not in any way anti-Semitic. Murdoch, however, tweeted:
'Gerald Scarfe has never reflected the opinions of the Sunday Times.  Nevertheless, we owe major apology for grotesque, offensive cartoon.'
In its response to the Paris killings, The Times perceived 'a vital duty for Muslim clerics who must embrace a new role actively deradicalising their followers. It also imposes an urgent responsibility on Muslim political leaders'.
Did the paper have any positive role models in mind?
'One controversial figure who appears to have understood this is Egypt's president, Abdel Fattah al-Sisi. In a remarkable speech to imams last week to mark the birthday of Muhammad, he called for a "religious revolution" to prevent the Islamic world being "lost by our own hands".'
The Times went on:
'Mr al-Sisi is not unique. Najib Razak, Malaysia's prime minister, has championed moderate political Islam at home and abroad.' (Leader, 'Freedom Must Prevail,' Times, January 9, 2015)
Thus, Sisi, leader of a military coup, someone who oversaw the massacre of 1,000 civilian protestors on a single day in August 2013, is hailed as a 'champion' of 'moderate political Islam'.
There is so much more that could be said about just how little passion the corporate media have for defending the right to offend. Anyone in doubt should try, as we have, to discuss their own record of failing to offend the powerful. To criticise 'mainstream' media from this perspective is to render oneself a despised unperson. In response to our polite, decidedly inoffensive challenges on Twitter we have been banned by champions of free speech like Guardian editor Alan Rusbridger, Jon Snow of Channel 4 News, Jeremy Bowen of the BBC, Peter Beaumont of the Observer and Guardian, and many others.
Even rare dissident fig leaves on newspapers like the Guardian dismiss as asinine and, yes, offensive, the suggestion that they should risk offending their corporate employers and advertisers. Not only is no attempt made to defend such a right, the very idea is dismissed as nonsense unworthy even of discussion.
DE
This Alert is Archived here:
Charlie Hebdo And The War For Civilisation
Contact Us:
editor@medialens.org 

Friday, 16 January 2015

Email to Channel 4 News:

Sent to Northern Voices by Trevor Hoyle
Ms Newman,

In tonights's Snowmail (1), referencing the Paris shootings, you say:

"Netanyahu visits Paris terror attack site...Some of those leaders have stayed on to pay their personal respects after last week's terror attacks".

Will you be highlighting Netanyahu's breathtaking hypocrisy be mentioning the 17 journalists killed by the IDF in Gaza in the last year alone? (2)

I guess not.
"Newman" by name, "Same old same old", by nature.

(2)These 17 Journalists Were Killed by Israel In Gaza

1. Hamid Abdullah Shehab � �Media 24″company.
2. Najla Mahmoud Haj � media activist.
3 Khalid Hamad � the �Kontnao� Media Production company.
4. Ziad Abdul Rahman Abu Hin � al-Ketab satellite channel.
5. Ezzat Duheir � Prisoners Radio.
6. Bahauddin Gharib � Palestine TV.
7 Ahed Zaqqout � veteran sports journalist.
8 Ryan Rami � Palestinian Media Network.
9 Sameh Al-Arian � Al-Aqsa TV.
10 Mohammed Daher � Editor in al-Resala paper.
11. Abdullah Vhjan � sports journalist.
12 journalist Khaled Hamada Mqat- Director of Saja news website.
13. freelance journalist Shadi Hamdi Ayyad.
14 photojournalist Mohammed Nur al-Din al-Dairi � works in the Palestinian Network.
15. journalist Ali Abu Afesh � Doha Center for Media.
16 Italian journalist Simone Camille � photographer in the Associated Press.
17. Abdullah fadel Murtaja.

Saturday, 10 January 2015

Charlie Hebdo and Tsarnaev’s Trial: Cui bono?

Charlie Hebdo and Tsarnaev’s Trial: Cui bono?


by Paul Craig Roberts
Dr. Paul Craig Roberts was Assistant Secretary of the Treasury for Economic Policy and associate editor of the Wall Street Journal. He was columnist for Business Week, Scripps Howard News Service, and Creators Syndicate. He has had many university appointments. His internet columns have attracted a worldwide following. Roberts' latest books are The Failure of Laissez Faire Capitalism and Economic Dissolution of the West and How America Was Lost.
THERE are two ways to look at the alleged terrorist attack on the French satirical magazine Charlie Hebdo.
One is that in the English speaking world, or much of it, the satire would have been regarded as “hate speech,” and the satirists arrested. But in France Muslims are excluded from the privileged category, took offense at the satire, and retaliated. 
Why would Muslims bother? By now Muslims must be accustomed to Western hypocrisy and double standards. Little doubt that Muslims are angry that they do not enjoy the protections other minorities receive, but why retaliate for satire but not for France’s participation in Washington’s wars against Muslims in which hundreds of thousands have died? Isn’t being killed more serious than being satirized?
Another way of seeing the attack is as an attack designed to shore up France’s vassal status to Washington. The suspects can be both guilty and patsies. Just remember all the terrorist plots created by the FBI that served to make the terrorism threat real to Americans. http://reason.com/blog/2014/07/22/human-rights-watch-all-of-the-high-profi 
France is suffering from the Washington-imposed sanctions against Russia. Shipyards are impacted from being unable to deliver Russian orders due to France’s vassalage status to Washington, and other aspects of the French economy are being adversely impacted by sanctions that Washington forced its NATO puppet states to apply to Russia. 
This week the French president said that the sanctions against Russia should end (so did the German vice-chancellor). 
This is too much foreign policy independence on France’s part for Washington. Has Washington resurrected “Operation Gladio,” which consisted of CIA bombing attacks against Europeans during the post-WW II era that Washington blamed on communists and used to destroy communist influence in European elections? Just as the world was led to believe that communists were behind Operation Gladio’s terrorist attacks, Muslims are blamed for the attacks on the French satirical magazine. 
The Roman question is always: Who benefits? The answer is: Not France, not Muslims, but US world hegemony. US hegemony over the world is what the CIA supports. US world hegemony is the neoconservative-imposed foreign policy of the US.
According to National Public Radio, Charlie Hebdo is about free speech. The US has free speech, claim NPR’s pundits, but terrorists have taken it away from the French.
Just how does the US have free speech when NY Times reporter James Risen was psychologically put on the rack to force him to reveal his source, despite the fact that Risen and his source are protected by the US Constitution and whistleblower protections. Clearly, in the US “national security” has trumped everything else.
“National security” has nothing to do with national security. It has only to do with protecting the criminals in the US government from accountability for their crimes. Every time you hear Washington invoke “national security,” you know for a 100% fact that the government has committed yet another crime. National security is the cloak for Washington’s criminal operations. “National security” prevents the government’s crimes from coming to light and, thereby, protects government from accountability.
One wonders what role “national security” will play in the trial of alleged Boston Marathon Bomber Dzhokhar Tsarnaev. Tsarnaev has been in custody since April 2013 and under indictment since April 22, 2013. Yet jury selection is only now beginning in January 2015. Why this long delay? The guarantee of a speedy trial no longer means anything, but with all sorts of charges in addition to the bombing for which the government claims eye witnesses and confessions and with the Tsarnaev brothers already convicted in the media, the long delay is a puzzle. Yet, we have not heard from Dzhokhar Tsarnaey himself. It is difficult to push away the thought that Dzhokhar’s trial has been delayed in order to compete his conditioning and acceptance of his guilt and in order for the many questions raised by alternative media to be forgotten.
The print and TV media have dished up the government’s explanation without investigation. However, the alternative media have taken great exception to every aspect of the case. As the US government has taught us since the Clinton regime, the safest assumption is that everything the government says is a lie.
The most suspicious aspect of the event was the speed with which an army of 10,000 heavily armed troops consisting of police from various jurisdictions and National Guard soldiers outfitted in military gear and provided with tanks or armored personnel carriers were on the streets of Boston. Never before has such a massive force equipped with military heavy equipment been employed in a manhunt, much less for one wounded, unarmed, 19-year old kid.
For such a force to be assembled and deployed so quickly suggests pre-planning. What was presented as a manhunt for one badly wounded suspect looks more like a test case and precedent for locking down one of America’s largest cities, while squads of troops evicted US citizens from their homes at gunpoint and conducted indiscriminate searches of houses that contributed nothing to apprehending the alleged suspect. The chances are zero that any household would have harbored a badly wounded unarmed fugitive dying from the lack of medical care.
Not only was Boston and its suburbs locked down, the Federal Aviation Administration restricted airspace over Boston and issued a “ground stop” for Logan airport. Why? 
Several other cities in Massachusetts and even some other states put their police forces on alert. Why? 
On the scene were the FBI, the Bureau of Alcohol, Tobacco Firearms and Explosives, the CIA, the Drug Enforcement Administration, the National Counterterrorism Center. The US Attorney General committed the full resources of the US Department of Justice.
Why?
The only plausible answer is to raise the fear level in order to gain the public’s acceptance of the lockdown of Boston and police invasions of citizens’ homes. It makes no sense that danger from a badly wounded unarmed 19 year-old could possibly justify such expense and trampling of constitutional rights of citizens. 
A non-gullible person must wonder if the bombing was an orchestrated event for the purpose of coordinating state, local, and federal governments in the lockdown of a major city. A poll of Bostonians last July found that 42 percent harbored doubts about the official version of events. http://www.globalresearch.ca/four-in-ten-bostonians-skeptical-of-official-marathon-bombing-account/5390848 
The gullible always say that if a conspiracy existed someone would have talked. But people do talk. It just doesn’t do any good. For example, during George W. Bush’s first term a NSA whistleblower leaked to the New York Times that the NSA was bypassing the FISA Court and spying on American citizens without warrants. Under US law, NSA was in a conspiracy with the Bush regime to commit serious felonies (possibly for the purpose of blackmail), but the New York Times spiked the story for one year until George W. Bush was re-elected and the regime had time to ex post facto legalize the felonies.
Operation Gladio was a conspiracy kept secret for decades until a President of Italy revealed it.
The Northwoods Project was kept secret until years afterward when the second Kennedy Commission revealed it.
More than one hundred first responder police and firemen report hearing and personally experiencing multiple explosions floor by floor and even in the sub-basements of the World Trade Center twin towers, and these testimonies had no effect whatsoever.
It only took one high school physics professor to shoot down NIST’s account of the collapse of WTC 7. The fact that it has been conclusively proven that this building was brought down by controlled demolition has had no effect on the official story. 
The co-chairmen and legal counsel of the 9/11 Commission published books in which they say that information was withheld from the Commission, that the US Military lied to the Commission, and that the Commission “was set up to fail.” Neither Congress, the media, nor the US public had any interest in investigating why information was withheld, why the military lied, and why the Commission was set up to fail. These extraordinary statements by the leaders of the official investigation had no impact whatsoever.
Even today a majority of the US population believes Washington’s propaganda that Russia invaded Ukraine and annexed some provinces. Neither judgement nor intelligence are strongpoints of the American public and juries.
Government tells Americans whatever story the government puts together and sits and laughs at the gullibility of the public. 
Today the US public is divided between those who rely on the “mainstream media” and those who rely on the alternative Internet media. Only the latter have any clue as to what is really happening.
The stories of Charlie Hebdo and the Tsarnaev brothers will be based not on facts but on the interests of government. As in the past, the government’s interest will prevail over the facts.

Thursday, 8 January 2015

Suspect Surrenders!

EIGHTEEN-year-old Hamyd Mourad is reported to have surrendered to police today, when he walked into a police station in Charleville-Mézières, about 145 miles northeast of Paris.  The other two suspects Said and Cherif Kouachi, aged 34 and 32, are still on th run.
 
News reports suggest that the brothers are known to the French intelligence services.  They are also said to have been born in Paris, bringing concerns that home-grown Muslim extremists are responsible for the killings in the offices  the satirical newspaper, Charlie Hebdo, that left twelve people dead, including the editor, prominent cartoonists and police officers. The attack is regarded as the deadliest in post-war France.
 
Officials said late Wednesday that the two the suspects on the run were brothers.

Statement From Salman Rushdie on Attack

Viva la libertà!

THE author Salman Rushdie has released a statement blaming 'religious totalitarianism' for the attack and speaking of 'a deadly mutation in the heart of Islam.'

Thank you, @SalmanRushdie http://t.co/R9GDwgk6oZ #JeSuisCharlie — English PEN (@englishpen) 7 Jan 15

Mr. Rushdie, who was forced to spend nearly a decade in hiding after the Ayatollah Ruhollah Khomeini called for his death in 1989, for basing a fictional character on the Prophet Muhammad in his novel 'The Satanic Verses', added:
'I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity. ‘Respect for religion’ has become a code phrase meaning "fear of religion." Religions, like all other ideas, deserve criticism, satire, and, yes, our fearless disrespect.' — ROBERT MACKEY

Northern Voices has no hard party line on politics or religion but in the light of the attack in Paris on journalists and cartoonists we welcome the sentiments of Mr. Rushdie as expressed above. Viva la libertà!

Monday, 1 July 2013

Modern Life Captured by L.S. Lowry at Tate


The 'Northern Aesthetic':  Revealing the 'Unseen' & 'Unnoticed' features of the everyday

Lancashire Fair, Good Friday, Daisy Nook by Laurence Stephen Lowry
HOW important is the new Tate Britain's exhibition 'Lowry & the Painting of Modern Life,' curated by the Marxist art historian T.J. Clark and his American wife Anne Wagner?  Was Christopher Draper right to use L.S. Lowry in his aim in his essay 'Six O' the Best Northern Artists', in the current issue of Northern Voices (NV14), to try to establish the existence of a 'Northern Aesthetic' in the North of England?  How representative is Lawrence Stephen Lowry of our culture and civilisation?
The reviewers on Radio Four's 'Saturday Review', last weekend, were scornful about Lowry accusing him of being repetitive; of misanthropy; of not being 'politically correct' with his uncomfortable picture 'The Cripples'; of him not having progressed as an artist during his long life; and of creating caricature figures. Was L.S. Lowry a great artist?  A provincial or folk artist?  Or just a rent man who became a weekend painter? 

In last Saturday's Financial Times (FT), Jackie Wullschlager wrote that the exhibition 'is the most radical and exciting re-evaluation of a British artist I have ever encountered, and a thrilling display of how paint conveys ideas, time, place – building a self-contained world at once absorbing and convincing in its relation to lived experience.'

At Brantwood, on the shores of lake Coniston in our northern Lake District, we have the last residence of perhaps our most famous art critic John Ruskin, and the other week when I was there I read a quote from one of his essays in which he says something like (I can't remember the exact quote): 
'For every 100 people there are perhaps 10 who can think, and for every 10 who can think there is perhaps one who can see. For seeing is the most difficult thing'

Lowry has said that he was converted to representing the world of work and industry up North after he was returning from work one day to his home in Pendlebury in Salford, when he got off the train and caught sight of something he'd passed many times before without note: 
'One day … as I left the station I saw the Acme Spinning Company's mill. The huge black framework of rows of yellow-lit windows stabding up against the sad, damp, charged afternoon sky. The mill was turning out. I watched this scene – which I'd looked at many times without seeing – with rapture.' 

When in the 19th century, he was invited to address the great and the good at Bradford Town Hall, John Ruskin bitterly told the local burgers and business men that they wanted him to praise their off-the-peg Gothic building but that what they really wanted to create was shore-to-shore chimneys across England.  The FT art critic Jackie Wullschlager, commenting on Lowry's 'Industrial Landscape Wigan' (1925), writes: 
'It is dusky black, an impressionist tonal oil of puffing chimneys looming over a grim scene of the sort described a decade later by George Orwell in 'The Road to Wigan Pier': “A world from which vegetation had been banished, nothing existed except smoke, shale, ice, mud, ashes and foul water”.' 

The critics on Radio Four last Saturday claimed Lowry does not paint people very well, but Chris Draper quotes an explanation from Lowry in Northern Voices No.14 (NV14) on this topic:
'I wanted to paint myself into what absorbed me... Natural figures would have broken the spell of it, so I made my figures half unreal.  Some critics have said that I turned my figures into puppets, as if my aim were to hint at the hard economic necessities that drove them. To say the truth, I was not thinking very much about the people. I did not care for them in the way a social reformer does. They are part of the private beauty that haunted me. I loved them and the houses in the same way.'

He refers to the people littering his pictures such as those peopling the town centre of 'The Three Cats Alston' (1969) that illustrates the front page of NV14 as being 'half real'. There are other pictures filled with folk at the Tate exhibition such as 'The Pond' (1950), yet 'River Scene' (1935) is a bleak people-less landscape which both predates and reminds me of Max Ernst's post-war surrealist picture 'Europe After the Rain'.

The art establishment has long neglected Lowry and some have suggested that this is because of the nature of southern snobbery, but last night I spoke to one of our northern contacts at Freedom Press, and she may well do a review for Northern Voices of the Tate Britain exhibition.  We know that Lowry collected Rossetti, but who can we compare him with?  We also know that he was taught by the French impressionist Adolphe Valette, and the Tate is exhibiting a foggy view of Manchester in the current exhibition.  Some have claimed that the geographical status or so-called terroire doesn't matter to the true artist as it does for wine or cheese.  As Nietzsche says 'an artist, a man has no home' and Alfred de Musset assertion 'Great artists have no country'.  And yet, Mr. Draper writes:  'for Lawrence Stephen Lowry there was no place like home'.  Some artists need to situate themselves geographically in order to create and produce their work: Van Goth needed the sun and the South of France, while Henri de Toulouse-Lautrec had to work in Paris and situate himself among the Parisian demimonde painting provocative images of the modern and sometimes decadent life of those times and living in the heart of Montmartre, an area he rarely left over the next 20 years.  Thus Lowry lived out most of his life in what is now Greater Manchester and just as Henri de Toulouse-Lautrec worked in Montmartre:  Lowry painting the ordinary scenes and everyday life of industrial Lancashire, and Toulouse-Lautrec painting the extraordinary and exotic in Montmartre.  Both capture the spirit of the two distinct and different civilisations.
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The current printed issue of NORTHERN VOICES No.14, is now available for sale with an essay by Chris Draper on 'Northern Artists and the Northern Aesthetic'.  Northern Voices No.14 can be obtained as follows:
Postal subscription: £5 for the next two issues (post included). Cheques made payable to 'Northern Voices' should be sent c/o 52, Todmorden Road, Burnley, Lancashire BB10 4AH.
Tel.: 0161 793 5122.
email: northernvoices@hotmail.com

Tuesday, 14 August 2012

From Paris plages to River Roch, Rochdale

IT is some months now since Colin Lambert, leader of Rochdale Council, and I, were both sitting on a 471 bus as it began its depressing descent down Drake Street, past the wire-netting landscape that surrounds the high-vis jacketed labour force planting the new Metro tracks, approaching Rochdale Town Centre (see posting Tuesday, May 29, 2012:  'No threat to Touchstones').  On that very day Councillor Lambert, disturbed in his game of Sudoku, had assured me that by this Christmas the River Roch and its Medieval Bridges, covered by concrete early in the last century, would be uncovered and at last be visible to the townsfolk to enjoy. 

In 2010 in Northern Voices No.11, I argued that the River Roch ought to be exposed in the Town Centre, basing my argument on an article in the International Herald Tribune on July 16th, 2009 by Andrew C. Revin, in which he wrote:  'The restoration of Cheonggyecheon (river in Seoul) is part of an expanding effort in cities around the world to "daylight" rivers and streams by peeling back pavements that was built to booster commerce and serve automobile traffic decades ago.'

If Rochdale's Labour Councillor Lambert carries through his promise to open up the River Roch and creates his socalled 'culture corridor', he will, perhaps unwiitingly, be reflecting what the current Socialist mayor of Paris, Bertrand Delanoë, is now intending to promote with 'Paris plages (beaches)' and other planning decisions.  Bertrand Delanoë is reversing a previous era of urban planning in Paris brought about in the 1960s under president Pompidou, in which both banks of the Seine were paved to become urban expressways.  Mr. Delanoë says:  'We are committed to transform the road along the riverbank into a place of life, beauty and culture.' 

In September, a kilometre, or just over a mile of the right bank, starting at the City Hall, will be sharply narrowed, with a series of six new traffic lights designed to slow traffic.  Along the riverside, there will be more pedestrian walkways, pontoons for electric boats, riverside cafes and bars.  Next spring, two and a half kilometres of the left bank will be shut entirely to cars, from between Musée d’Orsay and the Pont de l’Alma, converted into an 11-acre park with volleyball courts, sundecks, and floating gardens perhaps including a branch of the well-known cafe and restaurant from the Buttes Chaumont Park in the 19th arrondissement, Le Rosa Boheur:  this has been nicknamed 'guinguette' and is an informal place for eating, drinking and dancing.   Elsewhere in France there are other attempts to take back the city rivers as in Bordeaux under Mayor Alain Marie Juppé, in Lyons and Toulouse, where there is a project to build a riverside park the size of Central Park in New York.  I wonder if Councillor Lambert's 'culture corridor' and the Council's exposure of the River Roch in Rochdale, will match any of these French projects?   
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The printed version of NORTHERN VOICES No.13, now on sale with all sorts of stuff others won't touch and may be obtained as follows:
Postal subscription: £5 for the next two issues (post included).  Cheques payable to 'Northern Voices' at c/o 52, Todmorden Road, Burnley, Lancashire BB10 4AH.
Tel.: 0161 793 5122.
email: northernvoices@hotmail.com