Who Killed Freedom?: an unauthorised history 3.

Talent for Trouble 

WITH only layout artist Jayne Clementson and cartoonist Donald Rooum remaining on the editorial collective from the old days it was no wonder yet another class warrior, Dean Talent of SolFed replaced Saunders. Having previously ousted FREEDOM loyalists Charles Crute and Kevin McFaul on the claimed grounds of economy and with the paper pleading poverty the collective curiously agreed to reinstate the stipend for Dean.

By 2009, FREEDOM had comprehensively alienated former supporters yet demonstrably failed to secure the support of a new network. Anarchists belonging to national organisations continued to prioritise the interest of their own organisations.  FREEDOM by then offered little to those of us with less narrowly defined anarchist outlooks who preferred informed and considered debate to hectoring demands and political posturing.  Nevertheless, when FREEDOM published a tendentious account of its history culminating in a panegyric to the Revd Toby Crowe I felt obliged to submit a comradely yet challenging alternative account. Predictably, Dean Talent refused to publish or even justify his refusal.

In 2011, Dean and the collective discovered they couldn’t treat everyone with such contempt and get away with it so easily.  Their arrogance and incompetence created the worst crisis FREEDOM had faced since the stick up of 1944.  Talent persuaded the collective to publish a book that had already been turned down by several other publishers (including the anarchist press, A.K.). 'Beating the Fascists' was the title and Sean Birchall the purported author, although this was widely held to be the alias of Gary O’Shea, leader of the now defunct Marxist 'Red Action' (R.A.).   Illustrated throughout with photographs of violent confrontations between fascists and anti-fascists the book presents Red Action’s version of how AFA (Anti-Fascist Action) physically fought the fascists off the streets. 

As soon as FREEDOM advertised the forthcoming publication they were, 'inundated with negative emails' and a blizzard of bad publicity; 'R.A. – a posturing bunch of macho bullies…shame on Freedom for giving them publicity';  'It is sickening to see Freedom publishing this inveterate anarchist hater';  'Why on earth are Freedom publishing this…would they publish Trotsky’s memoirs on Kronstadt?' 

Much of the criticism focussed on the character of the collective;  'A friend of mine emailed to see if they would be interested in publishing the first English translation of anarchist former prisoner Xose Tarrio’s book Hay! Hombre Hay!   She didn’t even get the courtesy of a reply, let alone the red carpet treatment Red Action have received';  'The stupidity of the current Freedom Collective…If they had any sense they’d have told R.A. to publish it themselves';  'Dean you are a fucking moron!”; “Freedom’s reputation has been very badly tarnished by all this'.

Anarchy in Action?

'Beating the Fascists' should never have been published by Freedom.  It is a paean to political violence.  Whilst some anarchists believe in going beyond defence to proactively seek out and attack supposed fascists most reject this strategy.  The former do not need Marxists to write the history of anti-fascism and the latter don’t want to promote such violence in any case. Although the collective voted only 5 for and 4 against publication FREEDOM went ahead evidently unconcerned that it is standard practice for anarchists to secure consensus before collective action.  Even that majority was questionable as Dean Talent was absent and voted by proxy.  A critical insider noted that, 'The four collective members had a choice of either supporting a project they disagreed with or resigning.  This is fundamentally un-Anarchist.  What kind of society do Freedom believe in if their collective is run in such a way?' 

The collective also gave scant regard to another traditional practice, checking copyright before publication.  Not long after 'Beating the Fascists' went on sale they heard from press photographer, David Hoffman that FREEDOM had included several of his pictures without permission, credit or payment.  FREEDOM initially refused to acknowledge their error, apologise or offer recompense. A political radical, sympathetic to anarchism, as a professional photographer, Hoffman nonetheless relies on the sale of his pictures to make a living and some of the included photographs even had his claim to copyright stamped on the back yet no-one contacted him pre-publication.  FREEDOM didn’t have a legal leg to stand on and as the book was being sold through commercial channels (Amazon etc) and bore the © Freedom Press imprint they had no moral justification either. 

In Hoffman’s experience the collective proved an extremely slippery customer.  FREEDOM either knowingly took a commercial gamble on overlooking copyright obligations or acted out of ignorance.  Either way once Hoffman showed up it was time to eat humble pie and beg for a low tariff on the pictures.   Instead FREEDOM tried to take the moral high ground, accused him of trying to unfairly extract money from an impoverished organisation and initiated a vicious hate campaign against him on the web.  Members of FREEDOM’s  editorial collective variously described Hoffman online as a, 'piece of shit', 'rat bastard cunt' and a 'piece of excrement'.

This debacle dragged on for another 13 months before FREEDOM finally handed over four thousand pounds to avoid court action (part of this sum was paid by Hoffman to the widow of Mike Cohen, whose copyright pictures had also been used).  Hoffman claims he would have settled for far less if the collective had acted honourably but:

'The greed and hypocrisy of the current incompetent collective has stained a previously respected organisation and it’s that issue that Freedom’s few remaining friends really need to address.'

The End is Nigh

By August 2012, FREEDOM was politically, morally and financially bankrupt.  The holding company still owned the building and Aldgate Press still printed the paper for free but the writing was on the wall, and the fate of Dean Talent?  In his own memorable words, 'I was slung out of the collective', so neophyte turned know-it-all Simon Saunders popped up to announce, 'Freedom Press is in some difficulty, both financial and in terms of volunteer labour – basically we need you…we are proposing to have a series of meetings…and discuss how we can drag the paper, the bookshop, the publishing house and the building out of trouble.'

Unfortunately this 'series of meetings' didn’t extend beyond London and the appeal soon proved entirely disingenuous. That very same month all copies of the popular magazine Northern Voices produced by a band of Manchester-based, unaffiliated anarchists were removed from the shelves of FREEDOM bookshop as the collective objected to an article it contained.

When, just a few weeks later, an anarchist was attacked at his stall at the 2012 London Anarchist Bookfair, and his publications stolen by a bunch of Anarchist Federation thugs the FREEDOM collective (which includes an AF faction) refused to publish an account of the incident.

The paper limped on with caretaker editors nominally in charge, whilst Saunders and chums remained behind the scenes, ready to tighten the leash whenever there was any danger of a politically challenging piece being published.  In January 2013 for example, editor Matthew Black promised (by email) to publish an article by anarchist Barry Woodling before being overruled by the ruling clique.  Unsurprisingly Matthew left before the end of the year to be replaced by an editor with even less knowledge or experience of anarchism than a freshly minted Simon Saunders.

Charlotte Dingle, a Green Party local election candidate was handed the, by then, poisoned editorial chalice.  She, no doubt, appreciated the editorial internship and political platform but her appointment only served to reinforce suspicions that the real power brokers had lost interest in the paper. Yet there was still time to squeeze in a bit more censorship. In October 2013, FREEDOM accepted a review from Northern activist Paul Salveson, with editor Charlotte Dingle confirming publication before being overruled by the ruling clique.

In the next installment Chris Draper assesses who is to blame  at Freedom Press, and asks if the asset strippers will take-over?