Sunday 19 July 2020

Will Po-faced Politics Trump Local Custom?

Britannia Coconut Dancers
by Brian Bamford

BELOW is a news report this month by Stuart Pike , the 
Rossendale Free Press Deputy Editor, which claims
that the public up Bacup and beyond, are backing
the rights of the Britannia Coconut Dancers* to
continue to black-up to do their traditional clog dancing. 
Meanwhile Northern Voices has spoken to Gavin McNulty
for the Britannia coconutters and he says that the motion for
them to wash their faces has come from 'down South' 

*  The Britannia Coco-nut Dancers or Nutters are a troupe of Lancastrian clog dancers who perform every Easter in Bacup, dancing 7 miles (11 km) across the town.[1] There are eight dancers and a whipper-in, who controls the proceedings.[2]
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In an e-mail Derek Pattison asks:

'After toppling statues, the woke / trendy left, have now got the Rossendale coconut dancers in their cross hairs. Should the Nutters remove their black face paint which they say has no racial connotations but is connected with the mining industry and is a Lancashire tradition.  Northern Voices writers, Brian Bamford and Chris Draper, have fond memories of the anarchist Julian Pilling who was a celebrated and legendary Lancashire Nutter.  What do they think?'

Chris Draper replies:

'Definitely not! The whole "Nutter" tradition is demonstrably laced with irreverent humour and irony - it is not an unwarranted celebration of dominance, celebrity, exploitation and savagery as exemplified by the memorialisation of Colston, Hawkins, Churchill, Gladstone et al.  It is an eccentric historical anachronism that reminds all true Northerners of those glory days when off-duty, unwashed miners laboured in the vast Rossendale Coconut Plantations.'


Row over use of face paint for Britannia Coconut Dancers routines

The [Irwell] Valley public are firmly behind the Britannia Coconut Dancers in a row over the use of face paint, the group has said.

The popular dance troupe say they are among folk dancing groups affected by a potential ban on the use of full-face skin tone makeup - in the light of the Black Lives Matter movement.

The Coconutters, which date back to the mid-19th century, say their full-face black makeup has no racial connotations and reflects the origins of the dance in the mining community.

Three Morris [Dancer] organisations issued a joint statement this week calling on the use of full-face black or skin tone makeup to be eliminated by member groups.

A motion will be put forward to the AGM in September moving that the Morris Federation should not renew membership for teams that do not comply.
Group secretary Gavin McNulty told LancsLive they are working with their Morris governing organisation, but said if they were unable to agree “a compromise” the Nutters would be forced to go “on our own”.
He said: “There’s been a lot of strong support for the team to carry on as it is. It’s infuriating that people think they don’t like something or don’t agree with it and they want to change it.
“It’s a tradition that’s been going and will be kept going. We move forward how we think is best. Teams like ourselves have been there for hundreds of years. Our tradition is going to remain.”


He said they would know more once they have been able to convene a meeting - probably next month.

The Coconutters website states: “The dances the team perform are ‘folk dances’ and the custom of blackened faces are thought to reflect a pagan tradition as a disguise from the evil spirits / and part of the mining connections.”

The Morris Dancer's Federation statement said:  “While no morris dancer wants to cause offence, we must recognise that full-face black or other skin tone makeup is a practice that has the potential to cause deep hurt.
“Morris is a living tradition and it is right that it has always adapted and evolved to reflect society.
"We want people from all races and backgrounds to share in this pride and not be made to feel unwelcome or uncomfortable by any element of a performance.”

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5 comments:

Derek Pattison said...

First they came for the Black and White Minstrels; then they came for the Robinsons Golly; and then they came for the Lancashire cocoNutters. What next? Not everything can be reduced to racism, even if some of these examples can. There is a Lancashire tradition called 'Pace Egging', sometimes known as the 'Jolly Boys', where Old Tosspot would blacks his face and collect money from the crowd. None of this had anything to do with racism. Grow up!

Tony Greenstein said...

well obviously if this tradition relates to the mining industry then it should continue. It reminds me when I first saw a Black person when I was 6 years old in Stoke on Trent, 60 years ago. I turned to my mum and asked if it was a miner who hadn't had a wash!

However this should not be used to negate the tradition of the Black and white Minstrels which was racist and offensive.

Context is all

Les May said...

I’M sure that the good people of Rossendale will sleep easier in their beds knowing that judgement has been given and they have permission to continue with having a ‘blacked up’ face amongst their local street dance troupe. But as I have suggested elsewhere this part of the tradition may have nothing whatsoever to do with coal mining. So does this change anything?

https://www.blogger.com/comment.g?blogID=1043332942481206469&postID=5262991119134861655&bpli=1

The answer would seem to be ‘No’. Clearly the writer of this comment realises that context and intent have to be borne in mind. It’s the same ‘blacked up’ face whether it relates to coal mining in the area or to Pace Egg street plays. Only the context has changed. As for intention, no-one has suggested that in either context the intention is to denigrate another group.

Carl Faulkner said...

Meanwhile the Cape Town Minstrels love 'whitening-up' without the slightest of inhibitions...

https://www.youtube.com/watch?v=ex2c2bKIyHE

Derek said...

Nice job that needs tackling.