by
Les May
I WAS looking forward to first night of the second offering of the
season from Rochdale’s Curtain Theatre, Flint Street
Nativity. Did it live up to my (high) expectations? Well,
almost.
An
adult theatre group, playing children to an audience which had a fair
sprinkling of Primary School teachers amongst its members, who
between them must have been involved in dozens of such happenings,
was always going to be a challenge, especially as many of the cast
had to appear a second time as their parent later in the play.
The
first twenty minutes or so I found baffling. I much prefer to laugh
with children not at them. It was I suppose intended
to ‘set the scene’ by recapitulating the rehearsals and
introducing us to the different personalities of the children. I
found myself longing for Michael Winner to rise from the grave
and say ‘Calm down dear’
or an Ofsted inspection to take place.
Things
changed once ‘The Christmas Story’,
or at least the Flint Street version of it, got underway. There
was the expected humour of the ‘child’ cast being in the wrong
place on the stage, being too shy to speak their lines, bizarre farm
animals and upside down babies. But some of the funniest pieces were
from the innocent honesty of some of ‘the children’, verbal
misunderstandings, and new words to old carols.
After
the one king with two presents, bath salts and myrrh, had found her
way to the baby Jesus, who by this time was looking rather
the worse for wear, it only
needed Herod and his cardboard castle to round off the story. But it
didn’t finish there.
In
the final scene we were invited to the meet the parents over glasses
of punch and hear the prejudices they had handed on to their
children. And what a bunch
they were!
But
that wasn’t
really the end, because
Tim’s dad appears in the playground and
we are fleetingly invited to the darker side of Christmas for some
parents. If
you are unfortunate enough to recognise him, just remember miracles
do sometimes happen at Christmas. Honestly they really do.
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