ECLIPSE THEATRE’S NEW PLAY ENRICHES REPERTOIRE WITH BLACK BRITISH STORIES
INSPIRED by a real-life Black men’s walking group based in Sheffield, BLACK MEN WALKING has been conceived by Eclipse in collaboration with Leeds-based rapper, singer, producer and performer Testament. Directed by Eclipse Theatre’s artistic director Dawn Walton, this new work mixes dramatic story-telling with original music written by Testament and performed by a four-person cast. An Eclipse Theatre and Royal Exchange Theatre co-production, BLACK MEN WALKING will premiere on January 18th, 2018 at the Royal Exchange Theatre before embarking on a UK tour.
Thomas, Matthew and Richard meet every month as part of a walking group
to explore the dramatic landscape of the Peak District, Yorkshire. On
this particular trip, the rest of group cancels and it soon feels like
maybe they should have done too. The men find themselves forced to walk
backwards through two thousand years of Black history, embarking on a
dangerous journey that invokes an element of the supernatural, an
encounter with the spirits of their ancestors and an exploration of what
it means to be both Black and British today.
A rising star in the theatre landscape, Testament was most recently
acclaimed for his one-man show about feminism, WOKE, which fused
powerful first-person narrative with his signature beat-boxing and
rapping. The walking group which inspired the production was founded in
2004 by a group of men of African and African-Caribbean heritage who
started walking for health, wellbeing and camaraderie.
The cast includes Tyrone Huggins as Thomas (THE TEMPEST - Improbable/Northern Stage/Oxford Playhouse) Trevor Laird as Matthew (ONE MAN, TWO GUVNORS - National Theatre) and Tonderai Munyevu as Richard (SIZWE BANZI IS DEAD - Eclipse Theatre Company / Young Vic co-production). Completing the cast is Dorcas Sebuyange (Hayleigh in THE ELASTICATED SOUND SYSTEM - 20 Storeys High).
BLACK MEN WALKING, the first work to be staged as part of the company’s
ground-breaking REVOLUTION MIX movement will deliver the largest ever
national programme of Black British stories produced and performed in UK
theatres.
Eclipse Artistic Director Dawn Walton commented:
'This powerful story perfectly encompasses everything the Rev Mix
movement stands for; turning the spotlight onto Britain’s missing Black
history with a piece inspired by real people and real events. It is so
important that these stories are told, especially when you look at the
recent online backlash faced by Mary Beard who was accused of
‘re-writing history’ by pointing out the ethnic diversity of Roman
Britain. This reaction is evidence of a real lack of understanding about
our true British heritage. Open a history book and you’ll see that the
Roman empire, Britain included, featured people from Ethiopia, Algeria
and beyond.
'One of the earliest influences for Revolution Mix was Peter Fryer’s
seminal book, ‘Staying Power’, which unearths a compelling history of
Black people in Britain over the last 2,000 years. The opening line of
the book is ‘There were Africans in Britain before the English came
here.” That one statement is so wonderfully provocative and for me, it
set the wheels in motion for us to produce a body of work that will
bring to stage and screen an erased history. This is just the first of
several new works from Revolution Mix set to tour in 2018, which is also
the 70th anniversary of the arrival of Windrush, a milestone which is
often celebrated as the start of modern multicultural Britain. Acting as
the antithesis to this, Revolution Mix will delve deeper to explore
Black British history long before, and since, Windrush, offering a new
perspective and insight into the full Black British experience.'
Black Men Walking will run until 3rd February 2018 at the Royal Exchange
Theatre, before embarking on a UK-wide tour including Belgrade Theatre,
Coventry; Northern Stage, Newcastle; West Yorkshire Playhouse, Leeds;
Hull Truck Theatre; Nottingham Playhouse; The Arnolfini, Bristol;
Theatre Clwyd, Wales; Royal Court Theatre, London; Sheffield Crucible
Theatre; Salisbury Playhouse; The North Wall, Oxford and Unity Theatre,
Liverpool.
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